Director Oliver Stone (left) participates in a Q&A with Post-Dispatch blur analyzer Joe Williams at the Tivoli Theatre as allotment of the St. Louis All-embracing Blur Ceremony in 2013.
Film festivals are area you go to see movies you can’t contrarily see in theaters. If you’re lucky, maybe you can see the filmmaker himself or herself allocution about the work.
Cinema St. Louis has been presenting both movies and moviemakers for 30 years.
When the ceremony aboriginal began, it wasn’t as accessible to see all-embracing and art films as it is now. No alive services, no YouTube. But the ceremony thrives today because it offers the accomplished affected acquaintance you can’t get at home: a big screen, a army of agreeing enthusiasts, movie-theater airheaded and the discussions with the filmmakers.
It is the filmmaker discussions that angle out best in the apperception of Cliff Froehlich, the festival’s controlling director.
“The complete highlight for me charcoal bringing in Oliver Stone on the 50th ceremony of JFK’s assassination to appearance the director’s cut of his blur (‘JFK’),” Froehlich said, abacus that the backward Post-Dispatch blur analyzer Joe Williams, an agog accepter in a JFK-assassination conspiracies, was the host. “It was a absolutely active night.”
Other highlights for Froehlich accommodate bringing in Paul Schrader to appearance “First Reformed” and accepting John Sayles and Maggie Renzi in to appearance and altercate “Honeydripper.”
For the festival’s 10th anniversary, it gave documentarian Ken Burns a lifetime accomplishment award. Burns showed his two-part blur about Mark Twain; the event’s host was Bob Costas.
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