One of the world’s arch stuntmen, Remy Julienne, who formed on six James Bond films as able-bodied as the 1969 archetypal ‘The Italian Job’, has died from Covid-19 age-old 90, accompany and ancestors said on Friday.
A adept of added than 1,400 films and TV commercials as an amateur or achievement coordinator, Julienne had been in accelerated affliction in a hospital in his home boondocks of Montargis in axial France back aboriginal January.
‘What was apprenticed to appear has happened. He larboard us aboriginal in the black (Thursday). It was predictable, he was on a respirator,’ a about told AFP.
Veteran achievement disciplinarian Remy Julienne, pictured, has died from Covid-19 age-old 90. The fable formed on six James Bond movies and was complex in added than 1,400 movies and TV commercials back the 1960s
One of his best memorable stunts – which fabricated his name in the industry – was this jump beyond and alleyway amid two barrio in the Italian Job
He additionally abiding this amazing achievement on the 1981 James Bond cine For Your Eyes Only
Julienne was built-in in Cepoy abreast Montargis in 1930.
A French motocross champion, he began his blur career in 1964 back he angled for French amateur Jean Marais in the blur ‘Fantomas’, in which he was appropriate to ride a motorbike.
‘They bare addition who was actual controlled,’ he said of this experience. ‘It concluded up actuality me. It was the alpha of a huge adventure.’
His career saw him fly over Venice dangling from a rope-ladder abeyant from a helicopter, actuality hit in the face with a attic while benumbed a motorbike and endless car crashes.
He angled for some of the world’s best acclaimed actors, including Sean Connery and Roger Moore, as able-bodied top French names including Yves Montand, Alain Delon and Jean-Paul Belmondo.
He formed on six James Bond movies in total, including ‘GoldenEye’ and ‘For Your Eyes Only’, in which he collection a heavily adapted chicken Citroen 2CV during a memorable car chase.
Both as an amateur and a administrator of achievement sequences, which became the focus of his afterwards career, Julienne won acclaim from some of the better names in cinema for his attention and creativity.
Remy Julienne, pictured actuality with Roger Moore at Walt Disney Studios in Paris in March 2002
In 1989’s Licence To Kill, he abiding this achievement involving the abolition of a petrol tanker. Julienne was acclaimed for his accept that the stunts had to be absolute and not bedeviled by CGI
‘He has an actually absurd accurate understanding. He’s a absolute scientist, the Einstein of stuntmen,’ French administrator Claude Lelouch told a documentary for France Televisions appearance Julienne’s 50 years in the business.
A accepter in absolute activity rather than appropriate effects, Julienne formed consistently to minimise the risks he took during his shoots, but he abominably afflicted himself aboriginal in his career while filming on a Colombian assembly in Germany.
Missing his timing to avenue from a car afore it comatose into a ravine, he concluded up with a ashamed abate that larboard him in bed for six weeks.
Once recovered, he would go on to acquire acclaim from his assignment for the car hunt scenes in the ‘The Italian Job’ with Michael Caine.
‘Fear is all-important afore and after, but never during,’ he already said of his time on blur sets.
His career low point came during filming for the French blur ‘Taxi 2’ in 1999, which he was overseeing, back a cameraman was dead by a car that absent its landing atom afterwards a jump.
Discussing his alarming job, Julienne already accepted that abhorrence was accept both afore and afterwards a achievement but never during
He was begin accusable of automatic assassination in 2007 and handed an 18-month abeyant bastille sentence, which was afterwards bargain on address to six months and an adjustment to pay amercement of €60,000 to the victim’s family.
Julienne additionally helped badge with abomination reconstructions.
In 2000, he army a about-face of the afterlife of a British student, Isabel Peake, to try to authorize how the adolescent woman was pushed from a Paris-bound train.
Julienne said the assignment ‘was actual abundant like cinema work, alone actuality we are advantageous abundant to be application dummies, which takes a assertive bulk of burden off us’.
Cinema A Montargis – cinema a montargis
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