12/01/2021 – Organizado por primera vez en línea, del 13 al 15 de enero, el evento de UniFrance permitirá a más de 800 compradores de 59 países descubrir los catálogos de 44 agentes de ventas galos
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Scores of cinemas about the apple adeptness still be bankrupt on annual of the bloom crisis (resulting in a huge cardinal of films apprehension absolution and the anticipation of ample backlogs already movie-theatres are eventually accustomed the blooming light), but the adeptness of blur industry professionals to attending to the future, not to acknowledgment the address of French films, both abide absolutely intact, as apparent by the boss army of 800 buyers, acclamation from 59 countries, who accept active up for the 23rd Rendez-Vous with French Cinema in Paris, which will this year disentangle online, amid 13 and 15 January, beneath the advocacy of UniFrance (steered by Executive Director Daniela Elstner and President Serge Toubiana). The accident is preceded, today, by an array of online panels and keynote speeches, beneath the banderole “Beyond Borders” (which can be followed alive here), and will additionally host an XXL columnist circuit involving 90 artists (filmmakers and actors) who are toplining a array of French films – whose 2021 absolution is the accountable of abundant activity about the apple – and who are appointed to accommodated with 144 all-embracing journalists via videoconference as allotment of the Rendez-Vous event. All this, after apathy the barrage of the 11th MyFrenchFilmFestival on 15 January (article).
Over the advance of the three-day online market, buyers will get to watch 67 French films (31 of which will be bazaar premieres) via a committed and defended Cinando website, and will additionally get to accommodate over the 136 French productions or co-productions presented aural the appreciably assorted line-ups put advanced by the 44 French all-embracing sales agents in action.
Wild Bunch International will be screening A Brighter Tomorrow by Yassine Qnia in a bazaar premiere, and will conspicuously be pre-selling post-production titles Deception by Arnaud Desplechin (article), Titane by Julia Ducournau, Absurd But True by Quentin Dupieux (news), Happening by Audrey Diwan (based aloft Annie Ernaux’s atypical of the aforementioned name and starring Anamaria Vartolomei, Sandrine Bonnaire and Pio Marmaï) and The Road Ahead by Nessim Chikhaoui (starring Shaïn Boumedine at the arch of the cast), after apathy Earwig by Lucile Hadzihalilovic (article), and a blur which is currently in the cutting phase: Fire by Claire Denis (involving a adulation triangle composed of Juliette Binoche, Vincent Lindon and Grégoire Colin, with sales accordingly managed by French-British close Anton).
Playtime will be wagering on the bazaar premiere of Nine Antico’s Playlist and will additionally be wielding an absurd cardinal of added or beneath abstruse weapons activated ablaze in post-production, including Arthur Rambo by Laurent Cantet, Paris 13th District by Jacques Audiard (news), Everything Went Fine by François Ozon, 15 Ways to Kill Your Neighbour by Santiago Mitre (article), The Notebooks by the authoritative duo Joana Hadjithomas and Khalil Joreige, and Nobody Has To Know by Bouli Lanners, not to acknowledgment Inexorable by Fabrice du Welz and Joan by Laurent Larivière (article). For its part, Playtime’s Belgian accessory Be For Films has a few aces up its sleeves in post-production, in the anatomy of Azor by Andreas Fontana (news) and Little Lesson of Adulation by Ève Deboise.
Over and aloft the bazaar premieres of the documentaries C’est toi que j’attendais by Stéphanie Pillonca and Gallant Indies by Philippe Béziat, Pyramide All-embracing will be pinning their hopes on the post-production titles Selon la badge by Frédéric Videau (article) and La abode d’une autre by Aurélia Georges (article).
Also on the agenda, address of Charades, is a bazaar premiere of Skies of Lebanon by Chloé Mazlo (awarded Cannes’ 2020 Critics’ Week label) and, amid added French titles in post-production, Little Nicolas’ Treasure by Julien Rappeneau, The Test by Emmanuel Poulain-Arnaud (article), Madeleine Collins by Antoine Barraud (article) and Carpe Diem by Emmanuel Marre (news).
Le Pacte, who will be actualization Tokyo Shaking by Olivier Peyon (article) and Three Times Nothing by Nadège Loiseau (news), will additionally be cyberbanking – post-production-wise – on Besties by Marion Desseigne Ravel (article) and Onoda – 10,000 Nights in the Jungle by Arthur Harari.
Indie Sales will primarily abode its assurance in the approaching with three post-production works: France by Bruno Dumont, Florence Miailhe’s activated blur The Crossing and Flore Vasseur’s documentary Bigger than Us.
Best Friend Forever (Indie Sales’ Belgian subsidiary) will action up two ambrosial bazaar premieres in the anatomy of I Comete – A Corsican Summer [ lee también:tráilerficha del filme] by Pascal Tagnati (which is set to attempt in Rotterdam’s 2021 Tiger Competition) and Louloute [ lee también:críticaficha del filme] by Hubert Viel (which triumphed in La Roche-sur-Yon).
Kinology will additionally be affected an clear alternative of films in post-production, namely Annette by Leos Carax, Bergman Island by Mia Hansen-Løve, Dirty Paradise by Bertrand Mandico, Le genou d’Ahed by Nadav Lapid and Eugénie Grandet by Marc Dugain.
Les Films du Losange will awning Benoît Jacquot’s Suzanna Andler [ lee también:tráilerficha del filme] in a bazaar premiere, afore it moves on to the Rotterdam Blur Festival.
Totem Films will present a bazaar premiere of the documentary Sheroes by Aude Pépin and, in post-production terms, will conspicuously action on Softie by Samuel Theis (article).
The Bureau Sales will bare Lifelines by Fabienne Godet.
Three bazaar premieres will appear address of WTFilms, in the anatomy of Margaux Hartmann [ lee también:críticaficha del filme] by Ludovic Bergery, The Lodger by Baptiste Drapeau and the ball Fake Account by the duo Mouloud Achour – Dominique Baumard (starring Anthony Bajon, Roman Frayssinet, Djimo, Mathieu Kassovitz and Ludivine Sagnier).
Gaumont will amusement buyers to bazaar premieres of Aline, The Voice of Adulation by Valérie Lemercier and Vicky and Her Mystery by Denis Imbert, while Hold Me Tight by Mathieu Amalric, Fantasies by David and Stéphane Foenkinos, Lost Illusions by Xavier Giannoli (news), From Africa With Adulation by Nicolas Bedos and The Accusation by Yvan Attal (article) are additionally account advertence on their post-production blur slate.
France TV Distribution will coffer on the bazaar premiere of Hommes au bord de la crise de nerfs by Audrey Dana.
Bac Films will action on a bazaar premiere of The Enemy [ lee también:críticaentrevista: Stephan Strekerficha del filme] by Stephan Streker and will be banking, in post-production terms, on Our Men by Rachel Lang and Nicolas Pleskok’s soon-to-wrap assignment The Murder Party (news).
Orange Studio will be presenting three bazaar premieres, in the anatomy of C’est magnifique ! by Clovis Cornillac and comedies L’homme parfait by Xavier Durringer and The Imaginary Doctor by Ahmed Hamidi.
Other Angle Pictures will additionally put advanced a leash of bazaar premiere comedies; namely The Butcher’s Daughter by Christopher Thompson, Retirement Home by Thomas Gilou and Spoiled Brats by Nicolas Cuche.
Pathé All-embracing will additionally pin their hopes on three bazaar premieres, composed of Envole-moi by Christophe Barratier, Christmas with the Tuches by Olivier Baroux and Knock, Knock, It’s Mom by Éric Lavaine.
Elle Driver will be cyberbanking on post-production titles Promises by Thomas Kruithof (toplined by Isabelle Huppert – article) and The Companions by François Favrat (article), amid added works.
Last but not least, mk2 Films will chiefly try their luck with post-production movies The Young Lovers by Carine Tardieu (article), The Adulation Letter by Jérôme Bonnell and Petite Solange by Axelle Ropert (article).
Buyers will additionally accept the befalling to accommodate with all those French all-embracing sales agents who aren’t alms bazaar premieres but whose line-ups are abounding to beginning with awful assorted titles, whether finished, in post-production, in assembly or at the activity stage: Memento Films International, The Party Blur Sales, Luxbox (who accept The Restless by Joachim Lafosse in post-production – news), Alpha Violet, Loco Films, Funny Balloons, Shellac (Our Eternal Summer by Émilie Aussel in post-production), Pulsar Content, Coproduction Office, Celluloid Dreams, TF1 Studio, StudioCanal, Wide, Urban Distribution International, Alfama Films, Cinexport, Cité Films, MPM Premium and Autour de Minuit, not to acknowledgment Reel Suspects (news) and SND (read our commodity – who will conspicuously accessible the online Meetings with a bazaar premiere of Délicieux by Éric Besnard).
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