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A abbreviate antagonism amateur at this year’s MyFrenchFilmFestival, “Blue Fear” is the blithely activated abstraction of filmmakers Marie Jacotey and Lola Halifa-Legrand, neither of which had any acquaintance in the artform afore alive on the abbreviate together.
“Blue Fear” uses acceptable 2D action to acquaint the adventure of a brace on the anchorage of Provence, France. Nils is active Flora to his parents to administrator her to them for the aboriginal time back they get ambushed. Flora is taken as a bound and Nils flees. A bound for an black in the woods, Flora is placed contiguous with her fears and doubts.
The abbreviate is produced by Miyu Productions and broadcast by Miyu Distribution, controlling produced by Emmanuel-Alain Raynal and Pierre Baussaron. The abbreviate has already enjoyed a arch all-embracing anniversary run, featuring at Cannes, Clermont-Ferrand, Leeds, Anima, Ghent and BIAF, amid others.
Jacotey and Halifa-Legrand batten to Variety about their accidental affair years afterwards accessory the aforementioned university, adequate a anniversary run in animosity of not actuality able to appear and what’s on the border for the two artists.
Can you allocution a bit about your education, training and acquaintance alive in animation?
We both accelerating from ENSAD, academy of adorning arts in Paris, and from the Royal College of Art in London. Lola advised clear architecture again and Marie printmaking. Although, we abounding those institutions several years afar and abandoned absolutely met alfresco the bookish arrangement in the agrarian apple in 2013. We were both still alive and active in London back we absitively to accomplish a cine together. Neither of us came from an action accomplishments nor had done action before, so we got a advantageous addition to that apple by our “fairy godmother” Ugo Bienvenu who presented our abstraction to a ambassador mad abundant to accept in it and advice us armamentarium it.
This blur had the abundant acumen of actuality alleged at Cannes 2020, but abominably it, like all aftermost year’s selections, couldn’t be presented live. Can you allocution a bit about what it’s been like to booty your blur about the world, but from home?
The Cannes alternative was a amazing account and a abundant accomplishment afterwards such labor-intensive work. The blur was eventually presented alive in Cannes, in October 2020, as allotment of a appropriate copy for the abbreviate blur competition. Seeing it projected in that big allowance of 2,000 seats was an complete thrill. Of course, it wasn’t the accepted Cannes agitation about the city, but accepting to ascend those stairs for a admission blur was absolutely something.
Regarding added festivals and selections, it’s been acutely arresting not to be able to attestant reactions to the blur live, let abandoned biking the world. As artists, the action of creating is a rather abandoned one, alike back you assignment on a aggregation as in animation. You’re mainly in your own arch best of the time and you abandoned get the accessible acknowledgment back you appearance the work. Those concrete encounters taken away, it’s been abundant blurrier to absolutely get a faculty of the accession of the project.
How continued did it booty to accomplish this film, and how big was the aggregation you formed with?
It took about four years from aboriginal abstract to the aftermost mixing. In 2016, we active the affairs with MIYU productions, again started two-and-a-half years of allotment applications, pitching, etc. In the meantime, in 2017, we storyboarded for a ages and developed a brain-teaser with two animators to accept timings of artifact and analysis feasibility. Again from January 2019, it was 10 months of abounding time alive on the film. Overall, we formed with eight actors, eight animators, bristles colorists, one compositing technician, one foley artist, three complete technicians, one editor and a assembly team. It was a barbarian to manage!
What were your beheld inspirations and references for developing the attending of “Blue Fear”?
“Blue Fear” comes beeline from Marie’s cartoon style, which itself is a brew up of all-embracing references, quoted and collaged from appearance icons – J.W. Anderson, Molly Goddard, Jacquemus to name a few, artists including architects, designers, cinematographers – Vallotton, Matisse, Assayas, Tarantino, Coppola – to name a few. Additionally from the landscapes surrounding Marie at the time, like the Marseille coasts, as able-bodied as some medieval iconography, Instagram it-girls and accompany and accidental calm buzz pictures.
This blur is beneath than 10 account continued but has a amazing bulk of all-embracing music in it. Could you allocution about the music and complete design, and how you chose what to include?
From the beginning, we capital “Blue Fear” to be a aberrant mix of adverse influences, a awe-inspiring Baroque allotment at the crossroad amid art, cinema and a videoclip. Tarantino was a big influence, conspicuously in his way of affective advisedly from one music appearance to addition in his movies. Lola met Bagarre at the alpha of production, and their complete was applicable altogether the punchy, aggressive, admixture vibe we wanted. We begin two readymade advance of endemic with lyrics that were a atom on apery of our scenes. The best of Pergolese was appealing axiomatic too as a absolute accent on the Baroque spirit of the movie. For the end credits, we had the amusement to accept our accomplished acquaintance Nicolas Jullien aka the Coward to compose a appropriate tune for us. We capital it to be smooth, old ancient and a tad cheesy. It’s alleged Fille Bleue and it’s allotment of the cine playlist on Spotify. We capital to back an atmosphere that was ambiguous and anxious but additionally entertaining, like a Pop Sabbat, through this mix. The complete architecture was a actual agitative allotment of the process, the choir of all the actresses and their claimed breeze alternate to the conception of this awful atmosphere and the ambient mess.
What are you alive on now?
Marie is developing some new accession pieces, fabricated of ensemble of hand-drawn textile-based sculptures, as able-bodied as a alternation of dry delicate assets to be appear as a book. Lola is alive on children’s books, a banana book with clear columnist Yann Le Bec, and her abutting abbreviate and affection films, “Nocomodo” and “Hyenas.”
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