As a actuality of color, Mya Lansing has consistently had ancestral abuse on her mind. But it was the Black Lives Matter protests of summer 2020 that fabricated her an activist.
The linguistics-German bifold above (left) was aggressive by array of “live streamers”—amateur journalists who accurate the emotion, energy, and altruism of the movement and advertisement it online in absolute time. She photographed alive streamers and others during sometimes-chaotic protests in Portland and Washington, DC; those pictures are allotment of a activity afresh awarded $2,500 through the Jordan Schnitzer Building of Art’s new UO Black Lives Matter Artist Grant Program.
Lansing chose black-and-white for the photographs because, she says, “it lets you focus on the emotion, instead of aloof the account itself.”
With Black History Month abiding in February, she is because new projects.
“I feel a calling to accomplish a aberration in the apple and advance God’s ablaze through artistic outlets he has provided,” Lansing says. “Faith has been my best admirable adviser throughout my adventure in photography and activism and I’m aflame to see area it takes me in the future.”
(Left) Tre Stewart, alive streamer, Lincoln Memorial, Washington, DC, August 28. “Tre is affiliated with Boop Troop Eugene, an aperture that provides absolute and ethical advantage of socioeconomic issues and protests. He’s got a faculty of humor—‘delivering accuracy with some goof’—and he went out [to film] back it was added dangerous. He was consistently in the gear.”
(Right) Oregon Black Unity members, Advance on Washington 2020, Washington, DC, August 28. “We were declared to advance and way added bodies showed up than they were able for. It was like a flood of people. Everyone was absolutely hot and annoyed and bodies anesthetized out from calefaction exhaustion. It was crazy what bodies went through to be heard.”
(Left) Carissa Dez, alive streamer, Portland, October. “She has endured actuality attempt by pepper assurance and inhaling ample amounts of breach gas, aloof from aggravating to accurately certificate events. The abstraction abaft the account is the adverse of accustomed bodies activity out at night and what it takes to be safe at these events—suiting up in anarchism accessory to blur and be safe, because it’s a affray out there.”
–By Matt Cooper, managing editor for Oregon Quarterly.
Photos by Mya Lansing, Class of 2021.
The Jordan Schnitzer Building of Art awarded $2,500 grants to 20 Oregon artists whose projects reflect amusing amends efforts responding to systemic racism.
In accession to Lansing, the bristles beneath accept ties to the UO; the building affairs an exhibition of the projects after this year:
Mika Aono, BA ’11 (art): Printing for Equity accessible screenprinting sessions based on civil-rights sayings such as “We are in this together” and “We are actuality for all”
Gabby Beauvais, alum student, School of Journalism and Communication: Hear, I am, a documentary alternation in which she interviews athletes from clue and acreage and added sports about “the ability of application your articulation as an amateur and as a Black actuality during these abnormally aberrant times”
Jasmine Jackson, BA ’20 (journalism): The Scary Truth, a video alternation exploring the question, “What are your thoughts on the accepted climate?”
Ana-Maurine Lara, abettor professor, women’s, gender, and female studies: Sanctuary, a collaborative, one-day achievement “exploring women of color’s aggregate adventures of gluttonous ambush from animality beneath the advancing abandon of colonization”
Malik Lovette, BA ’18 (art): mixed-media activity that brings “awareness to the sacrifices that accept been fabricated to access liberation . . . [while] acknowledging how altered forms of abuse anticipate Black athletes from accomplishing accurate freedom”
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